POSTER GALLERY  --view nearly  500  German film original posters from 1927–1954 from Germany and from across Europe!          



DFG logo.jpg


The DFG, or roughly, The German Film Production and Administrative Company Ltd. is known today for having been the production company of record for the notorious anti–semitic hate film, Der ewige Jude. Very little about the company otherwise is published in film histories. The company was established by the NSDAP's Reichsparteipropagandaleitung, or Nazi Party Propaganda wing, and between 1937 and 1945 produced forty–four films, all but one of which were classified as Kurzfilme, or "shorts;" other than 1942's Hände Hoch!, which was a full-length Hitler Youth feature film. The DFG's Feldzug in Polen and Deutsches Land in Afrika were also feature-length documentaries, and The March to the Führer was about 47 minutes in length. The film, Die große Zeit, ran 70 minutes. See below for summaries of each of these films.

RLP.jpgThe DFG was a company integrated into the NSDAP's Film Division (Filmabteilung) overseen by long-time early Party member and fanatical anti–Semite Arnold Raether (shown at left below.) There is a letter in the German Federal Archives (Akte NS22/905) in which he, a year before Hitler's rise to power, has written Dr. Robert Ley, then at the Party's Munich "Brown House," to point out the number of Jews working at Germany's largest film studio, Ufa, in Berlin. Also in this file are minutes of a Nazi Party Executive Committee with Hess and Bormann and other top leaders discussing whether the Party will take over the existing studios or simply Raether copy.JPGwork with them to produce pro-NS films. To find time to discuss such matters, the Party seems quite certain that it will be taking power at some point soon.  Another letter by Raether to Gregor Strasser in the Party's Munich offices discusses the notification that henceforth the Filmabteilung under Raether will report to Dr. Goebbels -- again, a year before the assumption of power. Raether later produced the ill–fated Sieg des Glaubens Reichs Party Day film, which Leni Riefenstahl adamantly denied existed – never mind that she actually directed it, until a print was found and released by AM Productions in California on DVD. 

The NSDAP’s first use of film as a propaganda medium took place back in 1927, when silent film, some 670 m. long, was shot of the August 20/21 „Parteitag der NSDAP,“ which was premiered on 9 December of that year.

Ten years later, in the summer of 1937, the Propaganda Ministry’s Film Department – the Abteilung Film–   established a new film production company, the DFG, and headquartered it  conveniently on the same street as the Abteilung Film, itself.  The first chief of the DFG was Dr. Walter Scheuenmann, whose title was Produktionsleiter, or Head of Production.

The DFG’s output,  through to it’s last film of 10 January 1945, was:


1937   (Dr.Walter Scheuenmann, Head of Productuions, DFG)

9.10 Ostlandfahrt der SA-Standarte 9. (575m.)

13.11 Was ist los?  (169m, political advertising film)

4.12 Festliches Nürnberg  (599m. Parteitagfilm)


1938   (The Propaganda Ministry’s Hans Weidenmann becomes the head of DFG)

12.3 Volk baut in die Zukunft  (292m.  HJ film)

4.4. Die große Zeit   (1923m. Anschlußfilm)

14.5 Heime der Hitler–Jugend. (357m.)

2. 7. Führertag in Italien (732m.)


1939  (On 25 August, Fritz Hippler made Head of the Abteilung Film in the Propaganda Ministry, and henceforth oversaw the DFG productions along with all other NSDAP-produced films. Until his dismissal in 1943.)

23.1. Als es 1900 wurde. (1388m.)

         Glanz und Elend der Flimmerkiste (343m)

29.3 Deutsches Land in Afrika (1855m)

1.4 Schicksalswende (957m)

21.8 Unsere Jungen (540m; NAPOLA film)

5.10 Eine Division greift an (379m)

3.11 Einstaz der Jugend (595m)

28.11 Dein Wald (375m)



25.1 Der Marsch zum Führer (1324m)

30.1 Die Erde ruft (527m)

2.2 Glaube und Schönheit (453m)

28.4 Die große Reserve (390m)

22.4 Unsere Kinder – unsere Zukunft  (384m)

11.5 Die Wehrmannschaft (518m)

4.11 Der ewige Jude (1820m)



15.3 Steinmetz am Werk (518m)

29.3 Motor-HJ im Sattel (191m, silent)

30.6 Das Seidendorf (430m)

        Soldaten vom morgen (400m.)



10.1 Außer Gefahr (600m; Kinderlandverschickung)

11.4 Feind fliegt ein (405m)

22.6 Hände Hoch! (1830m, HJ-Spielfilm)

Pioniere voran! (497m)

17.8 Junges Europa  -I  (403m)

26.10 Junges Europa –II (409m)

21.12 Junges Europa –III (411m)




16.1 Flugzeug in Seenot (431m)

9.3 Junges Europa –IV (370m)

1.7 Junges Europa – V (363m)

20.11 Junges Europa –VI (388m)



14.4 Junges Europa –VII (407m)


10.1 Junges Europa –VIII (419m)


This completes the DFG-branded films released before the war's end. Many other film shorts were released during this period by the RPL, of which DFG was an integral part, but those films, such as the 1937 euthanasia film Opfer der Vergangenheit, were not "DFG" releases like the 44 film titles listed above. The RPL films were credited to the RPL/NSDAP.

The following films are represented by rare posters in our Poster Collection, and can be found in our Poster Gallery on this website, by clicking on the blue film title.

The great Time (Die große Zeit, 1938) ... Production Company

A 70 minute film documenting showing the "new construction of the Reich" ––such as the Anschluss with Austria, the Olympic stadium and 1936 Games, the Autobahns, the return of the Saarland to Germany, the re–armament of German armed forces, and the pageantry of the Nürnberg Party Raliies.  Produced by Carl Junghanns.

The Eternal Jew (Der ewige Jude, 1940) ... Production Company

Hippler's quasi-documentary needs no introduction.

Der Marsch zum Führer (1940) ... Production Company

The March to the Führer was discussed by Arnold Raether as early as 1936 and was meant to be a film directed by Hitler Youth themselves. After some early film clips were screened at a HJ gathering in 1937, the production was turned over to DFG to be produced more professionally for cinema release. It was finally released in May 1940 a good year after such marches were suspended for the duration of the war, and so never took place again. By the time the film was released, its HJ participants were actively serving in WWII.

Campaign in Poland (Feldzug in Polen, 1940) ... Production Company

One of DFG's most widely-seen and highly praised documentaries shown across Europe in its day.

Deutsches Land in Afrika (German Lands in Africa, 1939) ... Production Company

This film, made as WWII was about to erupt, told the story of Germany's pre-WWI colonies, and offered footage of Hitler Youth and German Maidens in German settlements in Africa ready to support Greater Germany's demand for the return of its former colonies.


Although no posters or other publicity materials are to found either in our Collection nor anywhere else to our knowledge, it would be remiss for us not to mention the DFG's

Junges Europa - Filmschau der Hitlerjugend (1942–1945  – DFG Production Company)

To bolster morale amongst the German youth in the latter war years, Alfred Weidenmann produced a series of eight shorts entitled Young Europe, which ran between 11 and 14 minutes long, with fast-paced editing, quick story-telling, newsreel type reportage, set to music, including the opening title sequence for each film using Baldur von Schirach's "Unsern Fahne flattert uns voran" song made famous in Hitlerjunge Quex. The films not only covered HJ events but also highlighted all the many various fascist youth groups across Europe, from Falangist Spain to the Baltic States, providing a panaroma of European youth dedicated to the ideal of a New Order in contrast to the Plutocratic England and Bolschevik terror of the asiatic East. The first episode of Young Europe was released in 1942 and the last one in early 1945.


The DFG was located at Belle-Alliance-Strasse 45 in Berlin, across from the NSDAP''s Reichsparteileitung on the same street at #38. The building housing the DFG was bombed out in late WWII and the building demolished after the war.  A modern structure now occupies part of the old site, along with a city thoroughfare. This is undoubtedly one reason why materials on the DFG, its history and fllm work are so scarce, and also why original posters and even stills for its films listed above are so rare. Surviving copies probably were those outside of Berlin at war's end -- displayed in cinemas or Filmabteilung branch offices, and thereby escaping destruction in Berlin either through terror bombing, the rampaging Red Army and the post-war looting and burning of NS materials.

Another reason why some files - almost  whole years - are missing from the German archives is that 18 volumes representing years 1929–1945 of original RPL documents are in the so-called "Special archive" (Sonderarchiv) of the Central  Military Archives of Moscow. This fact is on the German Federal Archives website: ( i.e.: 18 Bände der RPL aus dem Zeitraum 1929-1945 befinden sich im sog. "Sonderarchiv" in Moskau, inzwischen Bestandteil des Russischen Zentralen Militärachivs.